Live in Morelia 2016
by Markus Reuter
Mike Shockley
Mike Shockley
White Horse is Glorious!
Favorite track: Grey Horse.
Mike
Chris Meyer
Jerry F
floyd_83
SBL Anderson
Douglas Swinford
Chris
sucoF
blitheriver
Lukasz Pysz
Jjaj
LastSonOfGallifrey
ThadClar
wheelofearth
Tomoki Shimizu
Georges Kieffer
Riven Finisterre
Thomas Melia
Robert Dorschel
Jaanus Lee Damsgard
Thierry ''teepee''Prévost
Michel Montreuil
Petrichor
Paul Turner
Hermann Jeuck
Ray M.
Justin Levis
David Carter
Ken Palmer
Chris Olson
Rob Martino
nachetz
Pat Courtney
Veikko Linko
Michael Kunkel
AlexMartin
petertwiggs
KW-Jam
Viksenn
Wouter Eerdekens
J. Bruce Tracey
Robert Sorensen
Simon Roberts
cchastain3
jeremy nesse
jon
YOSHIZUMI TANOOKA
Alexander Shabalov
Mark Drane
Jeff Evans
lgdyson3
Shawn Sutherland
Philipp Quaet-Faslem
Burton Thomas
Francisco Allendes
Jose Zegarra Holder
Humboldtstickman
Scott Steele
rossburger report
Felipe Troncoso
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1. |
Black Sky, Part 1
12:16
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2. |
Black Sky, Part 2
15:18
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3. |
Grey Horse
10:41
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4. |
Michoacan
12:55
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about
Surround version (includes stereo version) available here:
surroundmusic.one/album/live-in-morelia-2016/
Performed and recorded live on August 12 2016 at Teatro José Rubén Romero, Morelia, Michoacán, Mexico.
Presented here mixed down to stereo, and in slightly edited form, that is with shortened intros. "Black Sky" was orginally played as one long continuous piece, but was split into two parts for this release.
An 8-channel playback system was used for the concert, and the pieces were conceived more as "sound sculptures" than traditional concert pieces.
surroundmusic.one/album/live-in-morelia-2016/
Performed and recorded live on August 12 2016 at Teatro José Rubén Romero, Morelia, Michoacán, Mexico.
Presented here mixed down to stereo, and in slightly edited form, that is with shortened intros. "Black Sky" was orginally played as one long continuous piece, but was split into two parts for this release.
An 8-channel playback system was used for the concert, and the pieces were conceived more as "sound sculptures" than traditional concert pieces.
credits
released November 20, 2017
Markus Reuter: Instant composition, Touch Guitars® AU8, Processing
www.markusreuter.com
Mixed and mastered by Markus Reuter using a Moon by Simaudio Neo 230HAD headphone amp/DAC.
www.unsung-productions.com
The cover artwork is a fragment of the mural "Gente y paisaje de Michoacán" by Alfredo Zalce.
Touch Guitar®
www.touchguitars.com
Driver and local support: Carlos Cortés N.
Thanks to CMMAS (www.cmmas.org) for the invitation to play in Morelia. In particular I would like to thank these wonderful people: Sebastian Torrella Reinoso, Paulina López Salazar, Silvia de la Cueva plus all the rest of the CMMAS team.
Very special thanks to my friends Carlos Cortés, Daniel Rosas, and Sergio Osvaldo Camacho for their assistance and for keeping me company, and George Bley for everything else.
Markus Reuter: Instant composition, Touch Guitars® AU8, Processing
www.markusreuter.com
Mixed and mastered by Markus Reuter using a Moon by Simaudio Neo 230HAD headphone amp/DAC.
www.unsung-productions.com
The cover artwork is a fragment of the mural "Gente y paisaje de Michoacán" by Alfredo Zalce.
Touch Guitar®
www.touchguitars.com
Driver and local support: Carlos Cortés N.
Thanks to CMMAS (www.cmmas.org) for the invitation to play in Morelia. In particular I would like to thank these wonderful people: Sebastian Torrella Reinoso, Paulina López Salazar, Silvia de la Cueva plus all the rest of the CMMAS team.
Very special thanks to my friends Carlos Cortés, Daniel Rosas, and Sergio Osvaldo Camacho for their assistance and for keeping me company, and George Bley for everything else.
license
all rights reserved
tags
about
Markus Reuter Berlin, Germany
Fool of Music
shows
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Apr 07Pawling, NY
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Oct 16Zoetermeer, Netherlands
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Oct 20Budapest, Hungary
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Oct 21Vienna, Austria
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Oct 29Lugagnano di Sona, Italy
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Oct 30Novara, Italy
discography
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Aug 2020 -
Aug 2020 -
Mar 2020 -
Sep 2020
contact / help
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About 1/3 thru it so far, and already i agree that this is an important performance to release to the public. “Cusp” and “Larks 2” are worth the price of admission alone. (Frustrated to learn of this October release in December, but i guess that just means i need to pay more attention to social media...?)
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