Live in Morelia 2016
by Markus Reuter
Mike Shockley
Mike Shockley
White Horse is Glorious!
Favorite track: Grey Horse.
norockets
Paul Turner
Hermann Jeuck
Ray M.
Justin Levis
Ken Palmer
Chris Olson
Rob Martino
nachetz
Pat Courtney
Veikko Linko
Michael Kunkel
AlexMartin
petertwiggs
Viksenn
Wouter Eerdekens
J. Bruce Tracey
Robert Sorensen
Simon Roberts
jeremy nesse
jon
YOSHIZUMI TANOOKA
Alexander Shabalov
Mark Drane
Jeff Evans
lgdyson3
Shawn Sutherland
Philipp Quaet-Faslem
Burton Thomas
Francisco Allendes
Jose Zegarra Holder
Humboldtstickman
Scott Steele
rossburger report
Felipe Troncoso
MattB
Jon Birkett
David Britt
steve hymer
tawolff
IanOxley
fishin4me
Jason Jacquemain
Kathy Starkey
Keith QUINN
The Laconic One
Jeff Scolnick
Serial Joker
chris_harris
German Fafian
Vairano
Kevin Hall
Jefferson Ogata
TaKashi MuraKami
Jürgen Klöckler
Luca Calabrese
Alfredo
Juergen Brauckmann
David Snyder
James Kerr
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1. |
Black Sky, Part 1
12:16
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2. |
Black Sky, Part 2
15:18
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3. |
Grey Horse
10:41
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4. |
Michoacan
12:55
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about
Surround version (includes stereo version) available here:
surroundmusic.one/album/live-in-morelia-2016/
Performed and recorded live on August 12 2016 at Teatro José Rubén Romero, Morelia, Michoacán, Mexico.
Presented here mixed down to stereo, and in slightly edited form, that is with shortened intros. "Black Sky" was orginally played as one long continuous piece, but was split into two parts for this release.
An 8-channel playback system was used for the concert, and the pieces were conceived more as "sound sculptures" than traditional concert pieces.
surroundmusic.one/album/live-in-morelia-2016/
Performed and recorded live on August 12 2016 at Teatro José Rubén Romero, Morelia, Michoacán, Mexico.
Presented here mixed down to stereo, and in slightly edited form, that is with shortened intros. "Black Sky" was orginally played as one long continuous piece, but was split into two parts for this release.
An 8-channel playback system was used for the concert, and the pieces were conceived more as "sound sculptures" than traditional concert pieces.
credits
released November 20, 2017
Markus Reuter: Instant composition, Touch Guitars® AU8, Processing
www.markusreuter.com
Mixed and mastered by Markus Reuter using a Moon by Simaudio Neo 230HAD headphone amp/DAC.
www.unsung-productions.com
The cover artwork is a fragment of the mural "Gente y paisaje de Michoacán" by Alfredo Zalce.
Touch Guitar®
www.touchguitars.com
Driver and local support: Carlos Cortés N.
Thanks to CMMAS (www.cmmas.org) for the invitation to play in Morelia. In particular I would like to thank these wonderful people: Sebastian Torrella Reinoso, Paulina López Salazar, Silvia de la Cueva plus all the rest of the CMMAS team.
Very special thanks to my friends Carlos Cortés, Daniel Rosas, and Sergio Osvaldo Camacho for their assistance and for keeping me company, and George Bley for everything else.
Markus Reuter: Instant composition, Touch Guitars® AU8, Processing
www.markusreuter.com
Mixed and mastered by Markus Reuter using a Moon by Simaudio Neo 230HAD headphone amp/DAC.
www.unsung-productions.com
The cover artwork is a fragment of the mural "Gente y paisaje de Michoacán" by Alfredo Zalce.
Touch Guitar®
www.touchguitars.com
Driver and local support: Carlos Cortés N.
Thanks to CMMAS (www.cmmas.org) for the invitation to play in Morelia. In particular I would like to thank these wonderful people: Sebastian Torrella Reinoso, Paulina López Salazar, Silvia de la Cueva plus all the rest of the CMMAS team.
Very special thanks to my friends Carlos Cortés, Daniel Rosas, and Sergio Osvaldo Camacho for their assistance and for keeping me company, and George Bley for everything else.
license
all rights reserved
tags
discography
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Mar 2020 -
Mar 2020 -
Mar 2017 -
Jul 2019
contact / help
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Label Sampler (Free Download)
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